Digital info for serious
shooters: specializing in Nikon & Canon
Camera Gear:
What I carry in my camera bags and why:
When I head out in the truck or for most photo trips here
is what I pack in my MP-1 from WRP:
Camera Bodies:
Nikon D2X with RRS (Really Right Stuff) L plate & D2H with RRS base
plate:
At 12+MP the D2X sets a whole new standard for digital (see the homepage
& articles pages for more). At
8fps and 4MP the D2H is a workhorse action camera. There is lots more information
on it elsewhere on the site. Image quality is excellent and battery life is
even better. Flash performance is also improved over older Nikon bodies,
particularly when using the SB800. These cameras are finally the digital
equivalent of the F5. A joy to use. For Canon shooters the 1D MkII will be
the equivalent if you can justify the money.
Lenses:
Nikon 600f/4 AF-S II or 200-400f/4 VR AF-S w. RRS combined foot/plate:
For birds, the 600f/4 is the cat's meow. Many photographers now opt for
the smaller and less expensive 500f/4, but if you want the perfect bird
photo lens, it
is the 600. I use the 200-400f/4 for large mammal photography, although anyone
with a 500f/4 can use it to serve double duty. With more and more parks
enforcing restrictions on how close you can get to subjects (a good thing
for the most part) and the practical and ethical restrictions when working
with threatened and endangered species, the 600f/4 and 1.4x Teleconverter
combination provide nearly 1200mm focal length or nearly the equivalent of a
24x spotting scope. This is a great combination. Canon options are very
similar, but include IS and the ability to stack teleconverters.
Increasingly I also use the TC-17E instead of either the TC-14E or TC-20E.
It has the small size & image quality of the TC-14E with a loss of only
another half stop of light provides more magnification.
Nikon 70-200f/2.8 AF-S VR w. RRS plate:
The big news with this lens for me was not the VR but the size. Smaller
than the 80-200 AF-S, this version fits in my bag comfortably so I can
travel with it. Fast and sharp, just like the prior 80-200f/2.8 it is a
winner all around. The AF is very smooth and the lens handles very well hand
held. The Canon equivalent is also a 70-200f/2.8 USM L lens with IS, but it
is slightly more expensive.
Nikon 12-24:
Ultra-wides have been the province of prime lenses until recently. By
producing a line of digital only (DX) lenses, Nikon has been able to produce
a competent ultra-wide angle zoom. I've been able to replace my 14mm with
this more versatile zoom, since I almost never need the added speed of the
f2.8 on the 14mm. I really enjoy having an effective 20mm back in my bag
with my digital without needing a separate lens for it. I don't know of an
exact Canon equivalent to this unique zoom.
Nikon 24-120VR or the new Nikon 18-200VR:
I'm torn between these lenses and the 24-85 which is smaller and fits
nicely into a vest pocket. However, I really like having the reach to 120mm
so I don't have to switch back and forth with my 70-200 all the time, so the
24-120VR is in my bag most of the time. This lens is head and shoulders
above the older 24-120 in speed and image quality, but actually costs less.
I wouldn't have paid extra for the VR capability, but when shooting with the
Wimberly head on my tripod the VR helps for slow shutter scenic or macro
shots by not requiring that I also lug around and convert to my B1 ball head
before taking them. Of course if I'm out to photograph scenics I start with
the B1 on my tripod and leave the VR turned off. Canon has a variety of
lenses in this range, although I'm particularly intrigued by the new 35-350
"L" zoom. If the image quality is there it'd be a real productivity boon!
UPDATE 12/05: I really like the new Nikon 18-200 as a "travel" lens and may
start taking it instead of the 24-120VR. Of course it is slow & has
barrel/pincushion distortion, but within its limits it takes great images
and is very versatile and fun to use.
Nikon 1.7x (primary) and as backup the 1.4x & 2.0 AF-I II Teleconverters
For quality glass I think it is worth the money to buy the Nikon AF
Teleconverters. I own the TC-17E as well as both the 1.4x and 2x. The 1.4 or
1.7 are on my 600mm much of the
time, and the 2x is available for when I need the extra reach and can afford
the loss of light. Canon's options are very similar, although they do also
allow stacking.
Gitzo 1548 tripod leg set and Wimberly head, Acratech Ultimate Ballhead or
RRS BH-55 head for scenics
Gitzo 1325 tripod leg set with RRS BH-55 + Wimberly sidekick when using 200-400
I really like the Gitzo carbon fiber tripods. I've owned just about all
of them but for the 600f/4 the 1500 series is the right combination of
strength and weight. The 1548 is the 4-section version so it packs a little
smaller. If you have the 500mm you can probably get away with the 1300
series. For a long lens head nothing works as well as the Wimberly. It makes
a world of difference in getting the right shot compared to either my B1 or
B2. When I'll be shooting a lot of scenics I carry my RRS BH-55 or the
smaller, lighter Acratech. The B1 has a better
friction system (variable tension) and nicer overall design if you don't mind the extra size, weight
and expense.
NOTE: The Acratech and other ultra-light heads do not seem to work well with
the Wimberly Sidekick. I recommend either using a B1 or RRS BH-55 (or
equivalent) with the Sidekick.
Accessories:
Nikon SB800 Speedlight & SC-29 flash cord, SB-600 as second flash when
needed
The SB-800 is the first flash I've found that really works with
digital. The first to use Nikon's new iTTL, it is a major improvement over
the SB-80. If you're using it with the D2H you can make use of the new SC-29
flash cord featuring an AF illuminator built right in to the cable for
better alignment.
Wimberly flash brackets (for the Wimberly & for the Wimberly Sidekick)
If you use a Wimberly head then the Wimberly flash attachment is smaller
and lighter than any alternative. Otherwise RRS flash brackets offer the
same functionality if you have a more traditional tripod head.
Nikon R1C1 Macro Flash System
[On the way, results TBD]
Better Beamer Flash Extender
For flash fill at extended distances Walt Anderson's Better Beamer is a
portable and inexpensive way to nearly double the distance you can project
your flash. Basically a simple Fresnel lens on a plastic mount it is a must
have for anyone doing flash fill photography on distant subjects such as
birds.
Aquatech SportShields for 400-600, 200-400 and 70-200
I fold these up and put them in with my long lens. They double as
padding so they don't take any extra space. Aquatech makes the absolute best
all-weather covers, so if you shoot in inclement weather these are the ones
to buy.
UV filters on all my lenses
I tend to like my images on the warm side, so I used to keep an 81a on all my
lenses, but I'm switching to plain UV filters pretty soon--with the new WB sensors on the top of the
cameras the 81a just confuses them.
77mm Moose filter (81a + Circular Polarizer) + 77mm adapters for lenses as
needed
Rather than carry multiple filters, I now just carry adapters to 77mm
and then carry 77mm filters. This didn't work well with film but with the
smaller size of the digital sensor on my cameras I can get away with it.
Singh-Ray graduated neutral density filters & screw on holder
For high contrast scenes having a 2-stop and 3-stop ND filter allows me
to fit the dynamic range of the scene into a single image. They scratch more
easily than I'd like, but I don't know of any better ND filters than these.
Flash Cards
I tend to buy the largest and fastest Lexar, Kingston or Transcend card I can
afford at any point in time. I do wait until the last possible moment right before a project to
buy new cards, as there prices almost always go down with time.
Portable Storage
PD70X Portable Drive case with 100GB drive (that I purchased separately
from newegg). I bought the device from
EastGear.
Doubles as a AA battery charger. Very slick.
Cleaning & toolkit including blower bulb, Wiha screwdrivers & hex wrenches,
spare LCD covers and eye-cups, electrical tape, AA Batteries & chargers, etc.
I've added a Sensor brush, which I love for cleaning the sensor.
Specialty Gear (often carried when I don't have the room or the need for my
normal gear). Usually packed in my WRP MP-3c:
Nikon 300f/4 AF-S
An awesome flight lens. If I know I'll need the best flight lens I have,
this is the one I bring.
Nikon 80-400VR
Large range in a small form factor. I bring it in my Lowepro Stealth bag when
I'm going on a trip where I don't have room to carry the 70-200 plus a teleconverter.
For trips where I want or need to carry less, I make the following changes:
Nikon 200-400f/4 AF-S VR, along with Gitzo 1325 tripod, Arca-Swiss
B1 head, and Wimberly Sidekick. See my Older and Lighterarticle for when
and why I use this setup instead of my heavier one.
Substitute a WRP MP-3c bag for my MP-1 + Lowepro briefcase
Tabletop Gitzo tripod or Gitzon 1228 smaller tripod
What about my Bags?
I use an MP-1 from WRP as my main camera bag. I used to carry my Lowepro
ProTrekker, but the MP-1 is much lighter and allows me to pack more in the same
space. I've also replaced my Lowepro NatureTrekker with a WRP MP-3 for the same
reasons. If you really need a heavily padded unit suitable for major backpacking
the Lowepro packs are still unequalled, but if you'll be working in more
moderate conditions the WRP packs are easier on your back and let you bring what
you need. I also have a Lowepro Stealth that I use for short "city" trips where
I just want to bring a minimal amount of camera gear.
NOTE: I received a LowePro CompuTrekker as a gift used it for my upcoming month in SE Asia backcountry.
It doesn't carry as much as my MP-3c but it works as a full backpack. If you
need more room there is now a larger version of the CompuTrekker that will
comfortably hold a 200-400 on a body in the main compartment.
For special projects I also often use the following:
Nikon SD-8a battery packs for 2 flashes when using dual flash. Alternatively
I have a Digital Camera Battery, but the SD-8a is a cheaper and lighter solution
if all you need is flash support.
Kenko Extension Tubes, although mine have never really auto-focused with my
lenses, despite buying two full sets
Nikon WT-2 wireless with EA-1 antenna. D-Link Pocket Router for my laptop to
serve as an 802.11g access point.
Non-photo gear:
North Face Kanapi Day Pack
Garmin Rino GPS units (double as walkie-talkies)
Is that all?
Is this all I own? Unfortunately not. I have a closet full of various other
equipment such as dry bags, specialty lenses, flash units and powerpacks, etc,
that I either use once in awhile or think I might use again someday. But the
above list is the gear I normally work with. I'd love to hear your thoughts on
what equipment you choose and why. Be sure to let us know what you think on our
Photo Tools forum.
In a future issue I'll cover some of the computer hardware and software that
I find essential to complete the picture--if you'll pardon the pun.
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